1Movies

Michael Moore

Michael Moore

Director

Michael Francis Moore is an American filmmaker, author and liberal political commentator. He is the director and producer of Bowling for Columbine, Fahrenheit 9/11, Sicko, and Capitalism: A Love Story, four of the top ten highest-grossing documentaries of all time. In September 2008, he released his first free movie on the Internet, Slacker Uprising, documenting his personal crusade to encourage more Americans to vote in presidential elections. He has also written and starred in the TV shows TV Nation and The Awful Truth. Moore criticizes globalization, large corporations, assault weapon ownership, U.S. Presidents Bill Clinton and George W. Bush, the Iraq War, and the American health care system in his written and cinematic works.

Born: 1954-04-23 • Flint, Michigan, USA • 55 titles

Filmography

Filmography

The Voice of Hind Rajab
HD
Movie•2025•ar

The Voice of Hind Rajab

Bowling for Columbine
HD
Movie•2002•en

Bowling for Columbine

Canadian Bacon
HD
Movie•1995•en

Canadian Bacon

Capitalism: A Love Story
HD
Movie•2009•en

Capitalism: A Love Story

Sicko
HD
Movie•2007•en

Sicko

Fahrenheit 11/9
HD
Movie•2018•en

Fahrenheit 11/9

Lucky Numbers
HD
Movie•2000•en

Lucky Numbers

Fahrenheit 9/11
HD
Movie•2004•en

Fahrenheit 9/11

EDtv
HD
Movie•1999•en

EDtv

Cameraperson
HD
Movie•2016•en

Cameraperson

Where to Invade Next
HD
Movie•2015•en

Where to Invade Next

All Governments Lie: Truth, Deception, and the Spirit of I.F. Stone
HD
Movie•2016•en

All Governments Lie: Truth, Deception, and the Spirit of I.F. Stone

Orwell: 2+2=5
HD
Movie•2025•en

Orwell: 2+2=5

The Fever
HD
Movie•2004•en

The Fever

Al Franken: God Spoke
HD
Movie•2006•en

Al Franken: God Spoke

I'm Going to Tell You a Secret
HD
Movie•2005•en

I'm Going to Tell You a Secret

Planet of the Humans
HD
Movie•2019•en

Planet of the Humans

Last Party 2000
HD
Movie•2001•en

Last Party 2000

The Eyes of Orson Welles
HD
Movie•2018•en

The Eyes of Orson Welles

The 4%: Film's Gender Problem
HD
Movie•2016•en

The 4%: Film's Gender Problem